Hedwig and the Angry Inch
#Alec Clayton #Harlequin Productions #Pride #Theater #Visual

REVIEW: Hedwig and the Angry Inch at Harlequin Productions

The rock musical Hedwig and the Angry Inch, with text by John Cameron Mitchell and music and lyrics by Stephen Trask, started as a performance in drag clubs and became an international phenomenon. It’s now playing at the State Theater of Olympia’s Harlequin Productions, starring Adam Rennie as Hedwig and Mandy Rose Nichøls as Hedwig’s husband and assistant, Yitzhak.

Debbie Sampson and Jeremy Holien in Falling
#Alec Clayton #New This Month #Olympia Little Theatre #Theater

REVIEW: Falling at Olympia Little Theatre

Falling, now playing at Olympia Little Theatre (OLT), is 70 minutes of edge-of-your-seat intensity, a roller coaster of love, fear and laughter with no intermission. If there were an intermission, the audience’s total immersion into the Martin family would be weakened; if it were any longer than 70 minutes, the actors would be physically exhausted and the audience emotionally so. As it is, the time flies by at warp speed and the audience is left depleted, yet thoroughly satisfied.

Kenneth Ruthardt
#Alec Clayton #Harlequin Productions #Theater

Celebrating Sovereignty at Harlequin Productions

This spring, Olympia’s Harlequin Productions is doing something that’s never been done in this area. It’s producing Sovereignty, a historical drama about Native Americans, written and directed by Native Americans, performed by an ensemble of Native and non-Native actors, with direction, set, costume and lighting design by Native artists brought to Olympia from all over the United States.

Christina Vega and Jonah Barrett
#Alec Clayton #Books and Words #Bryan Willis #Christian Carvajal #Christina Butcher #Jonah Barrett #Music #New This Month #The Washington Center for Performing Arts

The Return of the Celebratory Center Salon

“I’ve been doing salons for about 20 years through the Northwest Playwrights Alliance,” playwright Bryan Willis explains. “I really love the format.” Happily for Willis, executive director Jill Barnes was eager to host a salon in The Washington Center’s black box theater, a utilitarian space adjacent to its main auditorium. It returns this May after a three-year hiatus.