This year’s winner of the Percival Plinth Project in Olympia, “A Song for Nurturing Peace” by Nancy Thorne-Chambers, is a bronze statue of a girl holding a bird’s nest with an egg in one hand while the mother bird, a white dove, perches on her other hand.
The SPSCC 2023 art faculty and staff exhibition is beautiful, well executed, well presented, and thought-provoking with a variety of disciplines on display. Being created by educators, the show has underlying messages. Open through September.
On Sept. 16 and 17, locals will get a chance to learn the rest of the story at Bryan Willis’ Hotel Olympian Gala Extravaganza, a play that re-creates the hotel’s grand opening.
Olympe de Gouges announces at the opening of Harlequin’s “The Revolutionists” that she has an idea for a new play, a comedy, and much of the play follows her attempts to right/write the wrongs of the Revolution in a play “about women showing the boys how revolutions are done.”
The lineup for Azucar at Cryptatropa Bar (The Crypt) in Olympia is expected to be top-notch with burlesque, drag and variety performers hosted by Azucar producer Latina K Turner D’Ho.
Tom Fath says when he finishes a painting it gives him moments of clarity and a sense of being on the right path, creating good from chaos. Much like his life’s journey, his art explores fears and doubts while celebrating what life has to offer.
“It’s a little bit of Halloween in the summer,” said Pug Bujeaud, the play’s director and a TAO mainstay. “It’s fun and quirky and dark. It’s very much an old-school TAO show. The basis of the show is ‘What is a forgivable sin? … What lines do you draw? How do you decide what behaviors are acceptable and what behaviors — or people — you have to cut out of your life?”
ACE matched Avanti High School seniors with professional artists for a ten-week apprenticeship. Working within a “collaborative apprenticeship model,” students had the opportunity to witness the artistic process firsthand, practice their craft and learn how creative careers fit into Olympia’s economy.
Their works have elements in common, the most recognizable being that they are all monochrome. Gentry’s work is more playful and rhythmic, while Figel’s work is darker with more tension.
“We’re testing out the building — learning about how the acoustics work and how important sinks are for workshops,” said Angel Nava of the city’s Parks, Arts and Recreation Department. “People are so excited for the art interventions, to be engaged in creative projects as a community and to see this wonderful space being used and developed,” Jennifer Kuhns said.