By Alec Clayton and Molly Gilmore Like a theater version of The Odd Couple, the dark and edgy Theater Artists Olympia and the song-and-dance-fueled Broadway Olympia Productions are sharing a home. The theater companies, both sidelined since the pandemic, will each produce work in Broadway Olympia’s black box theater in […]
By Molly Walsh After Gabi and Alec Clayton packed up their home in Mississippi to start a new life in Washington State, one of the first sights they encountered when they drove into the Olympia area was the exposed tide flats of the South Puget Sound. This landscape would eventually […]
By Alec Clayton A sense of joy washes over viewers as they enter the Southwest Washington Regional Juried Exhibition at South Puget Sound Community College’s Leonor R. Fuller Gallery. Brightly colored paintings on suspended panels over the highly reflective black floors intensify the beauty of the space. Mostly paintings and […]
By Alec Clayton Life Is Complicated at Olympia Little Theatre is a play of firsts: a first-time writer and a first-time actor, the best actor in the play in this reviewer’s opinion. Kendra Malm, OLT board president and artistic and production manager, wrote and directed Life Is Complicated. She had […]
By Molly Gilmore The Washington Center for the Performing Arts’ 2022-2023 season marks both a return to pre-pandemic norms — it’s the first full season with subscription plans since theaters closed in March 2020 — and a fresh start. When the season launches Nov. 4 with “Stunt Dog Experience,” the […]
The rock musical Hedwig and the Angry Inch, with text by John Cameron Mitchell and music and lyrics by Stephen Trask, started as a performance in drag clubs and became an international phenomenon. It’s now playing at the State Theater of Olympia’s Harlequin Productions, starring Adam Rennie as Hedwig and Mandy Rose Nichøls as Hedwig’s husband and assistant, Yitzhak.
As summer creeps in and as we begin to see hope for an end to the COVID pandemic, Childhood’s End Gallery celebrates rejuvenation with an exhibition called “Bloom.” It features flowers, flowers and more flowers by local artists, plus paintings, etchings, sculptures and a cascading curtain of living flowers by Olympia artist Kathy Gore Fuss.
Falling, now playing at Olympia Little Theatre (OLT), is 70 minutes of edge-of-your-seat intensity, a roller coaster of love, fear and laughter with no intermission. If there were an intermission, the audience’s total immersion into the Martin family would be weakened; if it were any longer than 70 minutes, the actors would be physically exhausted and the audience emotionally so. As it is, the time flies by at warp speed and the audience is left depleted, yet thoroughly satisfied.
In many ways the Martins, the quintet of characters who populate Deanna Jent’s hour-long, 2011 play Falling, resemble a typical American family. Mother Tami, in some ways a stand-in for Jent herself, is overwhelmed and fond of red wine. Teenage son Josh demands a day off from school. There’s one all-important factor missing from that synopsis, however: Josh is a person with autism, given to veering from giddy hilarity to violent frenzy with little provocation or warning.
It’s surprising and delightful when an amateur company chooses an entire slate of obscure material. Such is the case with Olympia Little Theatre (OLT), which will offer a roster of seven shows entirely new to most audience members. Feeling adventurous?
