Arts Spaces & Companies

Debbie Sampson and Jeremy Holien in Falling

Falling for a Challenging Play at Olympia Little Theatre

In many ways the Martins, the quintet of characters who populate Deanna Jent’s hour-long, 2011 play Falling, resemble a typical American family. Mother Tami, in some ways a stand-in for Jent herself, is overwhelmed and fond of red wine. Teenage son Josh demands a day off from school. There’s one all-important factor missing from that synopsis, however: Josh is a person with autism, given to veering from giddy hilarity to violent frenzy with little provocation or warning.

A Season of Surprises at Olympia Little Theatre

It’s surprising and delightful when an amateur company chooses an entire slate of obscure material. Such is the case with Olympia Little Theatre (OLT), which will offer a roster of seven shows entirely new to most audience members. Feeling adventurous?

Kenneth Ruthardt

Celebrating Sovereignty at Harlequin Productions

This spring, Olympia’s Harlequin Productions is doing something that’s never been done in this area. It’s producing Sovereignty, a historical drama about Native Americans, written and directed by Native Americans, performed by an ensemble of Native and non-Native actors, with direction, set, costume and lighting design by Native artists brought to Olympia from all over the United States.

Christina Vega and Jonah Barrett

The Return of the Celebratory Center Salon

“I’ve been doing salons for about 20 years through the Northwest Playwrights Alliance,” playwright Bryan Willis explains. “I really love the format.” Happily for Willis, executive director Jill Barnes was eager to host a salon in The Washington Center’s black box theater, a utilitarian space adjacent to its main auditorium. It returns this May after a three-year hiatus.

REVIEW: The Originals at Olympia Little Theatre

Congratulations to local writers Tamara Keeton and Katherine Kelly for undertaking the arduous task of researching The Originals, the true story of the heroic female pilots of the Women’s Auxiliary Ferrying Squadron during World War II, now playing at Olympia Little Theatre.

Valerie Veils

Strip Like the Mountain Is Out: the First-Ever PNW Burlesque Festival

Valerie Veils, the self-billed “Heroine of the Hoochi Coo,” has dazzled audiences up and down the Pacific Coast. Now she’s extended her talents to produce the first-ever Pacific Northwest Burlesque Festival, a two-day, ecdysiastic extravaganza that’ll twirl its tassels at the Capitol Theater the first full weekend in May.

REVIEW: The Paper Moon at Olympia Family Theater

By Alec Clayton Emerging from its COVID-19 hibernation like Punxsutawney Phil from his hideaway, Olympia Family Theater kicked off its belated season with a pair of excellent shows. Fully Vaxxed, a hilarious trio of one-act plays with important messages, performed at OFT and is now on a tour of Washington state. Then came an astonishing …

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Oliver Garcia and Luz Langguth-Torrez in Fully Vaxxed

REVIEW: Fully Vaxxed at Olympia Family Theater

Fully Vaxxed at Olympia Family Theater is one of the funniest, most distinctive and important theatrical events out there. It’s a campaign that will continue and move to other towns after its run at OFT. It’s a plea and a lesson on the importance of vaccinations in the time of COVID-19. It’s a performance of three bilingual, one-act plays running two weekends at OFT, then touring the state.

REVIEW: Murder for Two at Harlequin Productions

Strap in for Murder for Two at Harlequin Productions, 90 minutes of mayhem and laughter — not to mention singing and a lot of amazing hijinks on the piano. Two actors, Jon Lutyens and Katherine Strohmaier, play more than 13 characters in a tour-de-force escapade for both.

REVIEW: The Bold, The Young, and The Murdered

It can sometimes be hard to tell the difference between bad acting and good actors playing the part of bad actors — or between a bad script and a play about a badly written show. Audiences at Olympia Little Theatre’s farcical The Bold, the Young, and the Murdered, written by Don Zolidis and directed by Katelyn May, are left to decide for themselves.

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