Theater

posts about live theater, live performances, actors, acting, shows, and other theatrical things…

SPSCC’s Single Black Female pokes fun at stereotypes

The South Puget Sound Community College Theatre Collective production of Single Black Female is not a stage version of the 2022 thriller about a woman trying to steal another’s life. Rather, this Female, a comedy by Lisa B. Thompson, centers on two close friends, both successful single Black women, dealing with society’s expectations — chiefly, that what each needs is a man.

“It’s funny,” said Raessa Patterson, the SPSCC alumna directing the show. “It’s bold. It gives us a chance to laugh at the stereotypes that surround us, but it also reminds us that those stereotypes don’t define us.”

Bryan Willis’s Special Valentine’s Love Note at Harlequin

‘How Much the Heart Can Hold’ (Saturday, Feb. 14 only) is a multi-faceted celebration of love featuring scenes, poetry, quotes and even love notes penned by audience members. “It’s such a fun piece,” said Bryan Willis, who created the show with the late Linda Kalkwarf and included pieces by other local writers. “This is not a play I could have written 30 years ago. The nature of love changes as we age. We have successes and failures. … In the course of the play, we follow this couple who meet as grade-school students, and we follow them until they are in their golden years.”

Series at the Washington Center

The Washington Center holds four series, the Silent Film Series, Black Box Jazz, an Adventure series, and Comedy Underground. Stepping into the majority of silent film experiences, audiences can expect house organist Dennis James plays scores alongside a historical silent film. Black Box Jazz showcases jazz performers who compose their own music in a truly intimate setting. The Adventure Series offers an immersive, in-person experience “Whether deep-sea diving or trekking across the Grand Canyon, and the Comedy Underground is more of a club-like feel than attending a theatre. “You can sit with your friends and enjoy your drink while you laugh together.”

DARK TIMES

Harlequin’s 2026 season begins with a classic thriller, Wait Until Dark by Frederick Knott, adapted by Jeffrey Hatcher. To heighten the film noir fun, the production is presented in glorious monochrome, with black and white sets and costumes, and make-up and light trickery to mimic the look of a classic black-and-white thriller. To assist both actress Helen Harvester who plays Susan, and the production team, the company brought in a sight-impaired consultant, Chandra Scheschy, a theater professional recommended by the Washington State Department for the Blind. The play runs January 23 – February 8.

Wild Child’s New Year’s Menu: “Eat the Rich”

Olympia’s family friendly Wild Child Taproom’s openness to a wider swath of the community is evidenced by their involvement with Arts Walk and SafePlace, and by the range of their events programming, whether organized in-house, or, in the case of music, by CapCity Presents, or in New Year’s Eve’s “Eat the Rich” by Capital City Pride, or by the many other individuals and organizations, large and small, who’ve come to see Wild Child as a welcoming venue.

Matilda the Musical at Tacoma Little Theatre

Given the flights of fancy of both the Roald Dahl novel and the Danny DeVito film of Matilda, it seemed only a matter of time for Matilda to get the musical treatment, which it did in 2010 with music and lyrics by Tim Minchin and book by Dennis Kelly. Now, Matilda the Musical is hitting Tacoma Little Theatre through December 28, directed by Jennifer York, with a sizable cast of child and adult actors, led by Hazel Barnett and Nell Edlund, trading off performances as Matilda.

Creative Theatre Experience Celebrates 45th Anniversary, New Leadership

In preparation for next year’s 45th anniversary season, the Creative Theatre Experience Board of Directors has announced the selection of Kristina Cummins as their new program director and Kyle Murphy as executive director. In addition to these staff leadership changes, the CTE Board of Directors has elected new officers to its executive team, with Nora Gant as president, Jerod Nace as vice president, and Louise Doran as treasurer/secretary. Together with Murphy’s new-fashioned thinking and old-fashioned commitment to community theatre arts, and Cummins’ long experience teaching and directing theatre with young people and actualizing in them her love for the craft, Creative Theatre Experience looks ready to go boldly into the future.

What Does Political Theatre Do?

Tony Kushner has never shied away from theatre with a political message, as evidenced by his landmark two-part masterpiece Angels in America. As it turns out, politics was in Kushner’s theatrical DNA beginning with his first play, A Bright Room Called Day, which runs from November 14 to 23 in a revival by the South Puget Sound Community College Theatre Collective.

Dead Man’s Cell Phone at OLT

Theater, from the beginning, has been a space for confronting death and life’s existential questions. Shakespeare, in Julius Caesar, has much to say about both. Fast forward to the current zeitgeist, and the evil that men, mostly men, are doing, from one side of the earth to the other—climate derangement, a new ICE age, nuclear proliferation, war crimes and lawlessness from sea to shining sea—looks very much like it will have enduring if not undying consequences. Olympia Little Theatre’s September 2025 production of Sarah Ruhl’s quintessentially quirky comedy, Dead Man’s Cell Phone, was directed by Kendra Malm and Toni Holm. It contained pertinent messages for today.

Murder Most Moral

It’s autumn, and time for a classic whodunnit — and you don’t get more classic than Agatha Christie. What most people enjoy about her mysteries are the ingenious plots, the wickedly complicated alibis and ruses, and of course the eccentric detectives — brittle but brilliant Mrs. Marple, delightfully dippy Tommy and Tuppence, and the “little grey cells’ of that Belgian prodigy, Monsieur Hercule Poirot.
Starring John Serembe as Hercule Poirot, and Russ Holm as Monsieur Bouc, and directed by Scott Nolte, Agatha Christie’s Murder on the Orient Express plays Oct. 3-Nov. 2 at Harlequin Productions.

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