Editor 
by Christian Carvajal for OLY ARTS The Evergreen State College is known for a liberal-arts environment that encourages free artistic expression. However, this spring Evergreen will cut heavily into the budget for staff and facilities that nurture theatrical expression. This year, the last seven shows at TESC will be especially fraught but meaningful, as they …
by Christian Carvajal for OLY ARTS When writer Joseph Kesselring commenced work on his most famous of a dozen plays, he intended it as serious drama. Its setup may even have been inspired by grisly murders in Connecticut. Now, over 75 years later, the Broadway draft of Arsenic and Old Lace is one of America’s …
by Christian Carvajal for OLY ARTS Time is of the essence in English playwright Alan Ayckbourn’s 1995 thriller Communicating Doors, opening this weekend at Olympia Little Theatre. The title is a British phrase meaning a passage between two adjoining hotel suites. The story begins 20 years from now, when executive assistant Julian procures the services …
by Christina Butcher for OLY ARTS The number 3 is auspicious, whether we’re talking about the holy trinity, the mind-body-spirit triad or the “lucky number 3.” Perhaps that’s why the South Puget Sound Community College drama department will present three brand-new productions for the 2017-2018 season: Goodnight Desdemona (Good Morning Juliet), The Glass Menagerie and …
by Jonah Barrett for OLY ARTS Saint Martin’s University’s theater department usually produces shows twice a year, once per semester. This year, things are a bit different. Instead, SMU will (technically) produce four, three of which are student-directed, one-act plays. Saint Martin’s students gain experience in a variety of roles: acting, playwriting, set design and …
by Alec Clayton for OLY ARTS Practically everything William Shakespeare wrote has been subject to parody. Goodnight Desdemona (Good Morning Juliet) by Ann Marie MacDonald mines some of the bard’s great tragedies to comic effect. English professor Constance Ledbelly decides Othello and Romeo and Juliet were originally written as comedies, and not by Shakespeare. This …
by Rosemary Ponnekanti for OLY ARTS Improvisation isn’t usually a thing for classical orchestras, so this year’s season for the Olympia Chamber Orchestra shows just how nimble that ensemble can be. After last year’s conductor search ended in disappointment, the orchestra is once again trying out two candidates, with some of the season’s music — …
(photo by: Jaima Sadira) by Jonah Barrett for OLY ARTS It’s no secret the filmmaking world is male-dominated. With every straight, white, college boy setting out to make the umpteenth homage to The Godfather or Pulp Fiction, it can feel as though the industry is running out of ideas. It doesn’t have to be that …
by Christina Butcher for OLY ARTS Student Orchestras of Greater Olympia is starting its 2017–2018 season with exciting, notable changes. Some, like the addition of alumni soloists to SOGO’s fall concert, hint at the organization’s evolving role in Olympia’s arts community. Others, like the announcement that this season will be conductor and music director John …
by Molly Gilmore for OLY ARTS After 18 years as music director of Student Orchestras of Greater Olympia, John Welsh will retire at the end of this season. Welsh, who has been music director of the group since it was founded, conducts SOGO’s Conservatory Orchestra for musicians in high school and occasionally college. “These young …