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SPSCC’s Single Black Female pokes fun at stereotypes

The South Puget Sound Community College Theatre Collective production of Single Black Female is not a stage version of the 2022 thriller about a woman trying to steal another’s life. Rather, this Female, a comedy by Lisa B. Thompson, centers on two close friends, both successful single Black women, dealing with society’s expectations — chiefly, that what each needs is a man.

“It’s funny,” said Raessa Patterson, the SPSCC alumna directing the show. “It’s bold. It gives us a chance to laugh at the stereotypes that surround us, but it also reminds us that those stereotypes don’t define us.”

Bryan Willis’s Special Valentine’s Love Note at Harlequin

‘How Much the Heart Can Hold’ (Saturday, Feb. 14 only) is a multi-faceted celebration of love featuring scenes, poetry, quotes and even love notes penned by audience members. “It’s such a fun piece,” said Bryan Willis, who created the show with the late Linda Kalkwarf and included pieces by other local writers. “This is not a play I could have written 30 years ago. The nature of love changes as we age. We have successes and failures. … In the course of the play, we follow this couple who meet as grade-school students, and we follow them until they are in their golden years.”

Series at the Washington Center

The Washington Center holds four series, the Silent Film Series, Black Box Jazz, an Adventure series, and Comedy Underground. Stepping into the majority of silent film experiences, audiences can expect house organist Dennis James plays scores alongside a historical silent film. Black Box Jazz showcases jazz performers who compose their own music in a truly intimate setting. The Adventure Series offers an immersive, in-person experience “Whether deep-sea diving or trekking across the Grand Canyon, and the Comedy Underground is more of a club-like feel than attending a theatre. “You can sit with your friends and enjoy your drink while you laugh together.”

It’s a Wonderful Life: A Live Radio Play at Lakewood Playhouse

In this rendition of It’s a Wonderful Life: A Live Radio Play at Lakewood Playhouse there’s an added meta structure where the actors we see on stage are playing actors in the ‘40s, who are then playing the characters we know from It’s a Wonderful Life. “You’re an audience within an audience in the play within a play, which I think some people will be surprised by,” says director Brittany D. Henderson.

Evergreen City Ballet Embraces a New and Innovative Curriculum

At Evergreen City Ballet, currently based in Renton, Artistic Director Maximiliano Guerra has plans to embrace an enhanced learning philosophy. During the school’s 2024-2025 season, Guerra and the team are establishing a unique curriculum that includes the study of broader topics, with art, history, and classical music to complement instruction in ballet. In December they will be performing Wade Walthall’s The Nutcracker.

Shadow Spins Sci-fi Fable

String and Or So It Would Seam: A Giant Puppet Voyage Into the Hidden Universe runs through July 21 in Olympia’s Decatur Woods Park and then tours the Northwest till Sept. 1. You really do want to make time for this confection, packed with visual puns and silly walks. String and Shadow’s worlds of fantasy and fable aim to pluck at the strings of universal wonder, innocence, and joy.

Shakespearian Treasure in Lacey’s Wonderwood Park

“I’ve wanted to stage this play for over 15 years because of the vibrant characters. …So, when you talk about them and create their journeys, you have all these different events to pull from.” Animal Fire co-founder, Austen Anderson, returns to the outdoor stage to direct a stellar cast in this new adaptation in Lacey’s Wonderwood Park he hopes will appeal to audiences unfamiliar with the Bard as well as Shakespearian aficionados.

OLY ARTS Summer 2024 Print Edition

You can read the articles that are in OLY ARTS Summer 2024 Print Edition from links on this page, and you can read and download the PDF version linked in the website’s sidebar.

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