Broadway Olympia’s “Rocky Horror”

By Molly Gilmore Broadway Olympia’s production of The Rocky Horror Show — opening, oh so fittingly, on Halloween — was more than two decades in the making. That’s quite a feat considering the musical-theater company launched its first season just two months ago. It all began in 1995, when managing director Kyle Murphy first saw …

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SOGO: Student Orchestras of Greater Olympia

By Karen Lunde At the conclusion of the 2017-2018 season, after 18 years with Student Orchestras of Greater Olympia, conductor John Welsh retired. With Welsh’s blessing, Portland native Cameron May has taken up the baton as SOGO’s new conductor and music director. He comes to Olympia by way of Champaign, Illinois, where he’s finishing a …

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Susan Christian at LGM Studios

ART REVIEW by Alec Clayton for OLY ARTS Susan Christian returns to Salon Refu (now the studio of artist Lucy Gentry and renamed LGM Studios) with an exhibition of new paintings and constructions called Take a Break. In Christian’s most recent previous exhibition, she showed a group of long, thin paintings that were all about …

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Dry Powder, a High Comedy/Drama in the World of High Finance

THEATER REVIEW by Alec Clayton for OLY ARTS Dry Powder is billed as a comedy, and yes there is a lot of humor in this tale of high-finance shenanigans. But there’s a lot of searing drama as well, as Jenny (the versatile Helen Harvester), Jeff (the comedic Ryan Holmberg), Seth (film actor Brian S. Lewis) …

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Jenn Champion Brings Unique Synth Pop to Capitol Theater

By Adam McKinney For over two decades, Jenn Champion has been making open-hearted music in the Pacific Northwest. Champion made her name in indie rock favorites Carisa’s Wierd, then found success with her solo project, S, which favored a more stripped down bedroom pop. It’s refreshing to see Champion’s recent pivot to electro-pop, presented in …

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Space Invaders at Lakewood Playhouse

By Christian Carvajal “Across an immense ethereal gulf,” a voice intoned, “intellects vast, cool and unsympathetic regarded this earth with envious eyes and slowly and surely drew their plans against us.” It was Sunday evening, October 30, 1938. The voice was that of 23-year-old wunderkind Orson Welles, already a radio and stage star on two …

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The Creative Thinking Behind Washington’s New Certified Creative Districts

By Christian Carvajal We all know the state of Washington is proud of its creativity. Over 200,000 Washingtonians make their livings in the arts, adding $22.7 billion to our state’s domestic product. In order to be installed in Washington’s new Certified Creative Districts program, however, a community must first meet clear criteria. Managed by Annette …

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Masterworks Choral Ensemble Gets Back to Nature

By Molly Gilmore Masterworks Choral Ensemble begins its 38th season by celebrating nature’s glories. The singing group will wade in the water — and explore the elements of earth, air and fire, too — in Sacred Elements at The Washington Center for the Performing Arts. “I really resonate with the environment,” said Masterworks artistic director …

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Keb’ Mo’

By Adam McKinney Legend has it – and legends have everything – that Robert Johnson sold his soul to the devil at a Mississippi crossroad at midnight. In exchange for his soul, the devil granted him the ability of a master guitarist. Regardless of whether this event actually took place, what we know from the …

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Dry Powder: Explosive

By Christian Carvajal In a surprise August move, Harlequin Productions cancelled its original play choice for October, the Chicago crime drama A Steady Rain. In an interview with Molly Gilmore for The Olympian, Harlequin’s associate artistic director, Aaron Lamb, characterized Rain as “not the story we wanted to be telling at this moment.” Instead, actor-director …

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