REVIEW: Fun Home at Harlequin Productions

Harlequin Productions ends their 2021-2022 season with the riveting musical “Fun Home” based on the autobiographical graphic novel of the same name by Alison Bechdel.

A New Season of Resilience for Live Theater in Olympia

Harlequin Productions calls its 2023 season a “Resilience Season.” That appellation could well apply to all local live theater after more than two years of Covid. Here’s a great season preview for all local theaters, including Harlequin, Olympia Family Theater, Olympia Little Theatre, Broadway Olympia, and SPSCC.

Hedwig and the Angry Inch

REVIEW: Hedwig and the Angry Inch at Harlequin Productions

The rock musical Hedwig and the Angry Inch, with text by John Cameron Mitchell and music and lyrics by Stephen Trask, started as a performance in drag clubs and became an international phenomenon. It’s now playing at the State Theater of Olympia’s Harlequin Productions, starring Adam Rennie as Hedwig and Mandy Rose Nichøls as Hedwig’s husband and assistant, Yitzhak.

Kenneth Ruthardt

Celebrating Sovereignty at Harlequin Productions

This spring, Olympia’s Harlequin Productions is doing something that’s never been done in this area. It’s producing Sovereignty, a historical drama about Native Americans, written and directed by Native Americans, performed by an ensemble of Native and non-Native actors, with direction, set, costume and lighting design by Native artists brought to Olympia from all over the United States.

REVIEW: Murder for Two at Harlequin Productions

Strap in for Murder for Two at Harlequin Productions, 90 minutes of mayhem and laughter — not to mention singing and a lot of amazing hijinks on the piano. Two actors, Jon Lutyens and Katherine Strohmaier, play more than 13 characters in a tour-de-force escapade for both.

REVIEW: A Christmas Carol at Harlequin Productions

By Alec Clayton Following decades of the popular Stardust shows at Harlequin Productions, the company embarks on a new holiday tradition with a production of A Christmas Carol adapted and directed by Aaron Lamb, who is also in the cast. “The great majority of the text is directly from the page,” Lamb says. “We’re as …

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REVIEW: Until the Flood: Brutal, Angry, Heartbreaking, Astonishing

By Alec Clayton Content warning: This article includes language directly quoted from the performance that some readers may find disturbing. Pulitzer Prize finalist Dael Orlandersmith’s Until the Flood — now playing at Harlequin Productions, in repertory with Tenderly: The Rosemary Clooney Musical and Lady Day at Emerson’s Bar and Grill — is brutal, angry, heartbreaking …

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REVIEW: Lady Day at Emerson’s Bar and Grill

By Alec Clayton Billie Holiday was the heart and soul of jazz from the 1930s through the 1950s. She put that period’s violent racism front and center in some of her songs — undeniably and often uncomfortably, as demonstrated by her signature song’s effect on audiences. “Strange Fruit” is Abel Meeropol’s heartbreaking and powerful ballad …

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REVIEW: Tenderly: The Rosemary Clooney Musical

By Alec Clayton Harlequin Productions’ Tenderly, The Rosemary Clooney Musical is much more than a musical revue. Yes, Meg McLynn as Clooney performs all the legendary singer’s greatest hits — “Hey There,” “Tenderly,” “Sisters,” “Come On-a My House” and more, often in unexpected ways — and costar Bruce Haasl as “The Doctor” sings as exquisitely as Harlequin …

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