“I remember the crisis one day.” Sculptor Don Freas, already a well-respected craftsman who’d shown his furniture in galleries, said. “I said, ‘No, I can’t make a chair. I want to do something new.’ And it became a sculpture.” This retrospective at Childhood’s End Gallery in Olympia through April 21 is a meditation on Freas’ creative process.
Atop each of the 27 pilings in Toten Inlet is a Boucante figure, bodies mostly made of weathered wood, heads and faces of sculpted stone, distinctively dressed in all manner of antiquated machine and engine parts and salvaged odds and ends. The faces are wide-eyed and staring, the mouths open, the effect inscrutable or spooky, depending on the direction of the light.
This year’s winner of the Percival Plinth Project in Olympia, “A Song for Nurturing Peace” by Nancy Thorne-Chambers, is a bronze statue of a girl holding a bird’s nest with an egg in one hand while the mother bird, a white dove, perches on her other hand.