posts about shows at Harlequin Productions
Once the action begins at State Theater, you’ll find yourself in the post-and-beam framed, antique-studded, expensively repurposed barn that serves as the living room/study of playwright Sidney Bruhl. Harlequin Productions’ Deathtrap by Ira Levin is a classic thriller, with five actors, two acts, and one set. And therein hangs a gun.
It’s the third season for Harlequin’s Christmas Carol. Aaron Lamb’s adaptation of the redemption story is both familiar and fresh, and he plans to refine it each year. There’s a twist in casting in this production: The spirits of Christmas Past, Present and Future are all female.
Smartly produced and wonderfully performed, Harlequin Productions’ “Every Brilliant Thing” with Eleise Moore is the best of live theatre, up close and personal. It totally engages us in a story that begs to be told and needs to be heard.
Olympe de Gouges announces at the opening of Harlequin’s “The Revolutionists” that she has an idea for a new play, a comedy, and much of the play follows her attempts to right/write the wrongs of the Revolution in a play “about women showing the boys how revolutions are done.”
Falsettos at Harlequin is a sung-through musical. It begins light-hearted and quirky, and soon becomes deadly serious.
“Join us as we transform The State Theater into an intimate cabaret for an uncensored, exhilarating, and heartrending true story about embracing uncertainty, taking a leap, and loving as if you only had 100 days to live. With magnetic chemistry and anthemic folk-punk music, creators Abigail and Shaun Bengson explore a fundamental question: how do we make the most of the time that we have?” – Harlequin Productions
Desperate to keep their architecture company afloat, Max and Paul hire the mob to build a police retirement home in Kate Danley’s screwball comedy now playing at Harlequin Productions. For people who love those great old comedies from Hollywood’s Golden Era of the 1930s, “Building Madness” is a ticket to hilarity.
Harlequin Productions’ “Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery,” an “adventure in theater making itself,” theater magic itself, that will take children of all ages on a giddy, breath-taking, uproarious ride, over, under, behind, and through the fourth wall, stopping at nothing that does not surprise, astonish, and delight you.
“A story about redemption is fundamentally a story about hope,” director Aaron Lamb says. “And forgiveness. May you too find ghosts that change you for the better this holiday season.” Lobby art by Becky Knold.
You are about to spend an evening with Edgar Allan Poe in a play by Olympia playwright Bryan Willis, plus a reading of a new short story by Olympia’s own Jim Lynch in a one-night-only Halloween celebration at Harlequin.