Lakewood Playhouse

Pipeline — now playing through May 10 at Lakewood Playhouse — revolves around Omari, a high school student played by Isaiah Myers, who himself is a junior in high school. Omari shoved a teacher, which is his third offense, and is now in a situation where he can either run away or face the potential consequence of jail time. As a young actor playing his own age, wrestling with the fury and shame of his circumstances, Myers is a magnetic presence onstage. He’s able to play a character who is smarter than he’s willing to let on, but too stubborn to back down from an impossible position.

Lakewood Playhouse has, again, after their recent productions of The Laramie Project and For Colored Girls…, staged a show that remains infuriatingly relevant many decades after its debut. Whether you want to focus on the abandonment of vulnerable populations, or the labyrinthine madness of the health care system, or the distracting infighting amongst like-minded activists, or the callous politicians who value their image over their morals —The Normal Heart, through March 8, touches on problems that feel as modern as they are depressingly timeless.

In Lorca in a Green Dress at Tacoma Little Theatre, the “Lorca Room” is neither heaven nor hell, but rather a space for the poet Lorca to spend 40 days coming to terms with his death, and the Lorcas around him represent different sides of his personality. …the conversations and events that take place feel very much like a dream. It’s as if the mind of Lorca has shattered into pieces, creating the hall of mirrors that is the Lorca Room; everyone’s dialogue shares a musicality, as they trip through lush language and finish one another’s sentences.

The overwhelming sensation in The Laramie Project, playing at Lakewood Playhouse through March 9, is not one of anger or of sorrow, but of a kind of cautious hope. Because of our society’s “one step forward, two steps back” approach to LGBT rights, any one of The Laramie Project’s performances since its opening in 2000 could be said to be unfortunately timely, and now is no different. This terrific ensemble cast comes together to paint a picture of a town trying to process a tragedy.

In this rendition of It’s a Wonderful Life: A Live Radio Play at Lakewood Playhouse there’s an added meta structure where the actors we see on stage are playing actors in the ‘40s, who are then playing the characters we know from It’s a Wonderful Life. “You’re an audience within an audience in the play within a play, which I think some people will be surprised by,” says director Brittany D. Henderson.