Xander Layden’s Funny Horror Tale The King in Yellow

The King in Yellow, a world-premiere play running May 10-26, is penned by well-known Olympia actor Xander Layden. “It’s like nothing I’ve seen around here,” said director Pug Bujeaud, “It’s like nothing I’ve seen anywhere. It’s cosmic. It’s a progression from Victorian romantic comedy of manners to existential horror. It’s not an arc that you see very often in theater.”

This Liar is Full of Lies and Laughs

Theater Artists Olympia’s production of “The Liar” by David Ives is at OlyTheater in Capital Mall, March 22 through April 7 with Aaron Gotzon as Dorante and Teresita Brimms as Clarice. The play is directed by Tom Sanders who said, “It’s not an absurdist play. It’s actually a straight farcical comedy.”

Danse Macabre

Theater Artists Olympia presents four dramatized tales of Edgar Allan Poe in “Poe Nocturne” at Oly Theater in the Capital Mall, January 12- 21, 2024.

Gilligan and Gang Make Merry at Mall

Olympia’s new WineBox Theatre — the grownup wing of Juice Box Theatre — is paying homage to the three-hour tour with “Island Castaway Christmas” at OlyTheater in Capital Mall this Friday and Saturday as a fundraiser for Juice Box, which creates monthly snack-size shows for children 6 and younger.

Peck Plays Range from Romantic to Ridiculous

Peck Plays Range from Romantic to Ridiculous at OlyTheater: “It’s quite diverse,” said TAO vice president John Serembe, who’s organizing the event and directing two plays. “There’s a kind of romantic one and kind of a mystery. There’s one that has to do with climate change in a kind of fun, bizarre way. It’s told by trees. There’s one that’s a little bit absurdist with people playing fish. It’s just a real eclectic bunch. There’s a little bit of everything.”

TAO Returns to the Dark with Mystery

“It’s a little bit of Halloween in the summer,” said Pug Bujeaud, the play’s director and a TAO mainstay. “It’s fun and quirky and dark. It’s very much an old-school TAO show. The basis of the show is ‘What is a forgivable sin? … What lines do you draw? How do you decide what behaviors are acceptable and what behaviors — or people — you have to cut out of your life?”

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