posts by Adam McKinney
by Adam McKinney for OLY ARTS The Wall, a flamboyant, nearly 90-minute concept album, is a towering monument of self-indulgence — and in this case, that’s a good thing. It’s a textbook example of a band given free rein to follow every tangential whim and conceptual side street, but the resulting record is chock-full of …
by Adam McKinney for OLY ARTS Humans, of all animals, are encoded with the unique ability to be as connected or as separated as they choose. In these days, it’s not so easy to differentiate between the two; the internet, among other modes of communication, has enabled us to be more involved with each other, …
by Adam McKinney for OLY ARTS Music history is lined with family bands, with qualities spanning the good (the Everly Brothers), the bad (the Jonas Brothers) and the indescribably weird (the Shaggs). Those examples are all sibling acts, and that avoids the potential sleaziness of parents promoting their children as music acts. It’s easier to …
by Adam McKinney for OLY ARTS It’s a sad fact that a lot of people, even those who would consider themselves passionate fans of music, still have a blind spot when it comes to classical and chamber music. Perhaps it’s possible that years of classical music concerts being big-ticket affairs have conditioned people to view …
by Adam McKinney for OLY ARTS (Featured ART: Maybelle Carter by Paula McHugh) As an art form, one of music’s most admirable traits is its ability to adapt: Trends come and go, and styles emerge in a sort of call-and-response pattern. New sounds blaze trails in response to old ones, lending us revelations like the …
by Adam McKinney for OLY ARTS For some bands, messiness can be a virtue. Not everyone thrives on the airtight compositions of Robert Fripp or other leaders of compositional tidiness. A band like The National draws its strength from disciplined arrangements and an almost drum-machine-esque rhythm section, but that focus can result in music devoid …
by Adam McKinney for OLY ARTS As the winter months descend on the world, the cold and darkness is met with a combination of reverie and revelry. Nights get quieter, and the solitude is countered with companionship. One lasting holiday tradition is the singing of Handel’s Messiah, an oratorio from the mid-18th century. Messiah‘s enduring …
by Adam McKinney for OLY ARTS Why is it such a common occurrence for comedians who talk politics to be met with the dismissive refrain, “Stick with the comedy?” For as long as comics have been making audiences laugh, they’ve also been ferrying us through tumultuous times of uprising and conflict. They comfort anxieties while …
by Adam McKinney for OLY ARTS Local music scenes like Olympia’s can’t always support bands built on classical influences. From a purely economic standpoint, not many struggling musicians can afford string or woodwind instruments like cellos or oboes, and audiences tend not to be as inclined to come out on a weekend to hear music …
by Adam McKinney for OLY ARTS In Islam, there are three times a day when it is forbidden to pray: sunrise, sunset and when the sun rests at its highest position on the horizon. Sunset, when praying isn’t allowed, is called Shuruq. Since 2012, in the South Sound, Shuruq has also become the casual name …