posts about live theater, live performances, actors, acting, shows, and other theatrical things…
Similar to a vibrant garden, our arts scene in Thurston County is filled with a variety of artistic companies and artists who are consistently adding color, beauty, joy, and their own lovely fragrance to our lives. Let Oly Arts be your “florist” this spring and give ideas of what you can add to the bouquet of your lives: TAO’s Anna Considers Mars — Harlequin’s Where the Summit Meets the Stars — OFT’s The Hobbit — and SPSCC’s Anastasia the Musical.
In recognition of 40 years of dedicated service to the performing arts in Thurston County and the South Sound, Washington Center Production Manager Roger McIntosh has been selected as the 2026 Excellence in the Arts Commitment to the Arts Awardee. The Center’s Star Dressing Room has been officially named in his honor in recognition of the organization’s “deep appreciation for four decades of service, care, commitment, and the philosophy that guided his work,” according to a Center Marketing and Sales Director Tineke Raak.
Double Shot Theater Festival in Tacoma is a kind of theatrical 100-meter dash. For roughly 20 years (festival creator Bryan Willis isn’t quite sure when it all got started), Double Shot has been assembling directors, actors, and playwrights to complete the Herculean task of writing, memorizing, rehearsing, lighting, costuming, and eventually performing 10-minute plays, all in about 24 hours. Saturday, April 18, and Sunday, April 19.
Theater Artists Olympia has a new home in downtown Olympia in what is now called The Jefferson Street Arts Center, at the former site of the Johansen Olympia Dance Center. In TAO’s first show there, Ruben Grijalva’s “Anna Considers Mars” (the very model of TAO’s trademarked “untamed theater” while speaking at the same time, to our fateful current condition) brings us to the not-so-distant future where the earth’s habitability is critically threatened by climate change, the human search for a new home is under serious consideration, and people are overwhelmed by having to live in a vividly augmented reality, in which they wear glasses that make them appear to others wearing the glasses to be better-looking than they really are.
In House Fire at Dukesbay Theater in Tacoma through March 29, what we’re seeing isn’t technically the afterlife, but rather a kind of purgatorial weigh station where Laurie finds herself after dying at the too-young age of 29. When the titular house fire ends it all, she says she was this close to changing her life for the better. And so, in this purgatory, Laurie is assigned three deceased people to take care of her “orientation” before she can move on to whatever the afterlife has to offer.
Lakewood Playhouse has, again, after their recent productions of The Laramie Project and For Colored Girls…, staged a show that remains infuriatingly relevant many decades after its debut. Whether you want to focus on the abandonment of vulnerable populations, or the labyrinthine madness of the health care system, or the distracting infighting amongst like-minded activists, or the callous politicians who value their image over their morals —The Normal Heart, through March 8, touches on problems that feel as modern as they are depressingly timeless.
The South Puget Sound Community College Theatre Collective production of Single Black Female is not a stage version of the 2022 thriller about a woman trying to steal another’s life. Rather, this Female, a comedy by Lisa B. Thompson, centers on two close friends, both successful single Black women, dealing with society’s expectations — chiefly, that what each needs is a man.
“It’s funny,” said Raessa Patterson, the SPSCC alumna directing the show. “It’s bold. It gives us a chance to laugh at the stereotypes that surround us, but it also reminds us that those stereotypes don’t define us.”
‘How Much the Heart Can Hold’ (Saturday, Feb. 14 only) is a multi-faceted celebration of love featuring scenes, poetry, quotes and even love notes penned by audience members. “It’s such a fun piece,” said Bryan Willis, who created the show with the late Linda Kalkwarf and included pieces by other local writers. “This is not a play I could have written 30 years ago. The nature of love changes as we age. We have successes and failures. … In the course of the play, we follow this couple who meet as grade-school students, and we follow them until they are in their golden years.”
The Washington Center holds four series, the Silent Film Series, Black Box Jazz, an Adventure series, and Comedy Underground. Stepping into the majority of silent film experiences, audiences can expect house organist Dennis James plays scores alongside a historical silent film. Black Box Jazz showcases jazz performers who compose their own music in a truly intimate setting. The Adventure Series offers an immersive, in-person experience “Whether deep-sea diving or trekking across the Grand Canyon, and the Comedy Underground is more of a club-like feel than attending a theatre. “You can sit with your friends and enjoy your drink while you laugh together.”
Harlequin’s 2026 season begins with a classic thriller, Wait Until Dark by Frederick Knott, adapted by Jeffrey Hatcher. To heighten the film noir fun, the production is presented in glorious monochrome, with black and white sets and costumes, and make-up and light trickery to mimic the look of a classic black-and-white thriller. To assist both actress Helen Harvester who plays Susan, and the production team, the company brought in a sight-impaired consultant, Chandra Scheschy, a theater professional recommended by the Washington State Department for the Blind. The play runs January 23 – February 8.