Miscast! (in a Good Way)

By CHRISTIAN CARVAJAL On June 2, Harlequin Productions will offer one performance, the name of which all but dares critics to slam it. That show, concocted by Aaron Lamb, is entitled Miscast! (The exclamation mark is very much Harlequin’s.) Usually when actors are accused of having been miscast, it’s no compliment. Consider, for example, the …

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A Doll’s House: A Forerunner of Feminism Updated and as Relevant as Ever

THEATER REVIEW by Alec Clayton for OLY ARTS Henrik Ibsen’s controversial classic A Doll’s House as presented at Harlequin Productions is stunning, and as relevant now as it was when it shocked theater-goers in 1879. Director Aaron Lamb has updated it with modern sets, costumes, music, and a highly stylized opening and closing that are …

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A Doll’s House Finds the Present in the Past

By MELINDA MINTON Henry Ibsen wrote the play A Doll’s House as a daring portrait of a man who loves his wife as an equal. While that concept remains fresh in the #MeToo era, 150 years ago the thought of an equal partnership between man and wife was shocking. Ibsen himself said, as he was writing it …

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Harlequin Announces Transformative Season

By Billy Thomas Last Saturday, Harlequin Productions hosted its 2020 season announcement party. Over 200 subscribers, donors, sponsors and guests attended the event, flooding the theater’s lobby and mainstage space. They were greeted by Harlequin board members and staff, including the theater’s artistic director, Aaron Lamb, and managing director Hap Clemons. Attendees enjoyed live music, …

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The Intersection of Love and Information

By KAREN LUNDE What’s the difference between data and emotion? That’s the question Aaron Lamb plans to explore as director of Harlequin’s upcoming production of Love and Information, a fast-moving, experimental play by British writer Caryl Churchill. Its over-100 characters are usually portrayed by an ensemble of 20 or more actors. Harlequin will stage its …

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I Ought to Be in Pictures, a Sweet Story by Neil Simon

THEATER REVIEW by Alec Clayton for OLY ARTS Neil Simon, Jason Haws, Harlequin Productions. That alone should be enough to convince theater lovers to buy tickets to I Ought to be in Pictures. A typical Simon comedy/drama, this lovely little show elicits laughter, and it is human drama as true as true can be — …

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I Ought to Be in Pictures

By Noah Shachar Theater lives and thrives in Olympia, thanks partly to the talent at Harlequin Productions. After a strong 2018 season, I Ought to Be in Pictures will open in mid-January 2019 to further the company’s high, artistic precedent. Written by acclaimed playwright Neil Simon, the play follows Hollywood screenwriter Herb after he re-encounters …

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Harlequin Productions Revives Holiday Classic The 1940s Radio Hour

By Billy Thomas This holiday season, Harlequin Productions goes back in time to present the return of The 1940s Radio Hour. First gracing the Harlequin stage 22 years ago, Radio Hour inspired the launch of the iconic and successful Stardust series. The show replaces Stardust in Harlequin’s 2018-2019 lineup. Aaron Lamb, acting artistic director for …

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Dry Powder, a High Comedy/Drama in the World of High Finance

THEATER REVIEW by Alec Clayton for OLY ARTS Dry Powder is billed as a comedy, and yes there is a lot of humor in this tale of high-finance shenanigans. But there’s a lot of searing drama as well, as Jenny (the versatile Helen Harvester), Jeff (the comedic Ryan Holmberg), Seth (film actor Brian S. Lewis) …

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Dry Powder: Explosive

By Christian Carvajal In a surprise August move, Harlequin Productions cancelled its original play choice for October, the Chicago crime drama A Steady Rain. In an interview with Molly Gilmore for The Olympian, Harlequin’s associate artistic director, Aaron Lamb, characterized Rain as “not the story we wanted to be telling at this moment.” Instead, actor-director …

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