An Interview With Shawn Colvin

by Christian Carvajal for OLY ARTS The name Shawn Colvin is familiar to anyone who owned a radio in the summer of 1997, when her song “Sunny Came Home” was a top-10 smash that earned Grammy wins for best record and song. She’d already won “Best Contemporary Folk Album” six years prior for her debut …

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Lynda Barry: Evergreen Cuts Are ‘Cultural Genocide’

by Ned Hayes for OLY ARTS OLY ARTS reported in June that The Evergreen State College was cutting heavily into staff and facilities that made theater possible at Evergreen. The Experimental Theater (COM 124, a 200-seat, black-box venue) and its costume and scene shops will close at the end of the spring 2018 semester. Faculty and staff members …

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The End of an Era at The Evergreen State College

by Christian Carvajal for OLY ARTS The Evergreen State College is known for a liberal-arts environment that encourages free artistic expression. However, this spring Evergreen will cut heavily into the budget for staff and facilities that nurture theatrical expression. This year, the last seven shows at TESC will be especially fraught but meaningful, as they …

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Procession: Berebitsky’s Marvelous Menagerie

by Christian Carvajal for OLY ARTS   Jerry Berebitsky is the technical director for performing and media arts at The Evergreen State College. He’s also filled similar roles at Olympia Waldorf School and South Puget Sound Community College. Yet, when Berebitsky makes appearances at each Procession of the Species, it’s his animal sidekicks that really …

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Say Yes to Pink Martini

by Christian Carvajal for OLY ARTS Portland-based Pink Martini is a danceable jazz combo with international flair. “More and more,” said founder Thomas Lauderdale, “as time goes on and we see the growth of so much bitter divisiveness in America and across the globe, our ambition is to find commonalities and bring people together with …

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Director Nancy Tribush Hillman

Drop-Dead Comedy at Standing Room Only

by Christian Carvajal for OLY ARTS When writer Joseph Kesselring commenced work on his most famous of a dozen plays, he intended it as serious drama. Its setup may even have been inspired by grisly murders in Connecticut. Now, over 75 years later, the Broadway draft of Arsenic and Old Lace is one of America’s …

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In Defense of the Arts: 2018

In January 2017, OLY ARTS published our editorial about possible defunding of the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH). Today, the President released a proposed budget that proposes exactly that full defunding. OLY ARTS is thus re-publishing our clarion call from 2017 to retain and expand funding …

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Brian Reed, Award-Winning This American Life Voice, Speaks Live at The Washington Center

By Christian Caravajal and Ned Hayes for OLY ARTS For over 20 years, “This American Life” has given public-radio airwaves an unusual perspective on current events, offering insightful commentary from such writers as John Hodgman, David Rakoff, David Sedaris, Sarah Vowell and of course, the inimitable Ira Glass. Recently, “This American Life” has taken steps …

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The Rhythm and Romance of Rosanne Cash

by Christian Carvajal for OLY ARTS Being the daughter of a musical legend can open doors, to be sure, but it multiplies the difficulty of forging a career apart from his shadow. Consider, then, the talent of Rosanne Cash. After the Man in Black recorded a song she wrote, Rosanne formed a partnership with singer-songwriter …

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Heather and Michael Christopher

A Time-Traveling Comedy at Olympia Little Theatre

by Christian Carvajal for OLY ARTS Time is of the essence in English playwright Alan Ayckbourn’s 1995 thriller Communicating Doors, opening this weekend at Olympia Little Theatre. The title is a British phrase meaning a passage between two adjoining hotel suites. The story begins 20 years from now, when executive assistant Julian procures the services …

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