Dead Man’s Cell Phone at OLT

Theater, from the beginning, has been a space for confronting death, and life’s existential questions. Shakespeare, in Julius Caesar (currently on the boards at Ashland), has much to say about both: “I come to bury Caesar, not to praise him,” quoth Marc Antony, “The evil that men do lives after them; the good is oft interred with their bones.” Fast forward to the current zeitgeist, and the evil that men, mostly men, are doing, from one side of the earth to the other—climate derangement, a new ICE age, nuclear proliferation, war crimes and lawlessness from sea to shining sea—looks very much like it will have enduring if not undying consequences.
Now comes Olympia Little Theatre’s production of Sarah Ruhl’s quintessentially quirky comedy, Dead Man’s Cell Phone, directed by Kendra Malm and Toni Holm.

Oly Arts Fall Winter 2025 Print Edition

The Fall/Winter print edition of OLY ARTS N0. 34 is published! Here is a list of the articles and where in the Olympia area you can pick up your FREE copy. Enjoy!

Artists’ Gallery Summer Party: You’re Invited!

Founded in downtown Olympia in 1980 by a group of artists dedicated to bringing their work directly to and fostering a dialogue with the community, the Artists’ Artists’ Gallery in Capital Mall celebrates 45 years of cooperative art this summer with live music and an opportunity to meet and talk with the artists, and view a wide selection of drawings, paintings, sculpture, jewelry and other artworks.

Monster Puppet Readings of Jonah Barnett’s Moss-Covered Claws

Up in the loft at Browsers Bookshop, genderqueer writer, filmmaker, and multi-media phenom Jonah Barnett will be performing a series of readings from their 2021 short-story collection “Moss-Covered Claws,” which mashes dreams and reality together in 11 macabre tales of speculative fiction: tales of anxiety-feeding demons, anti-fascists that travel dimensions, and the vengeful spirits of dead seabirds.

Magic Curtain Mornings at Olympia Family Theater

Olympia Family Theater’s new Magic Curtain Morning shows engage and delight toddlers and preschoolers. Each show runs no longer than 30 minutes, providing littles a playful introduction to the magic of live theater. The first show is “Little Red and the Dancing Wolf,” offering a new take on the old tale, running April 18, 25, and 26.

Review: Is This a Room

Aaron Lamb, director of Harlequin Production’s Is This a Room, has created a piece of moving, powerful theatre with a light and confident artistic hand. Jeannie Beirne’s set design, Savannah Van Leuvan’s lighting design and Keith Jewell’s sound design with its weird cover of the redacted dialogue rendering it unspeakably inaudible, accomplishes a trifecta. The strange stage set enables us to take in the equally strange encounter that occurred on June 3, 2017, when 11 FBI agents arrived unannounced at the home of Reality Winner (portrayed most affectingly by Olivia Finkelstein, in her Harlequin debut).

A Valentine’s Oratorio: How Much the Heart Can Hold

“How Much the Heart Can Hold” by Bryan Willis and Linda Kalkwarf will be performed one night only at Harlequin’s State Theatre. Inspired by the words of writer and artist Zelda Fitzgerald: “Nobody has ever measured, not even poets, how much the heart can hold.” Directed by Kathryn Dorgan, the play is a series of illustrative scenes tied together with readings of what Willis calls “snippets of wisdom, culled from a variety of writers and thinkers, that guarantee inspiration for lovers of all ages.”

Shake It With Olympia Funk Festival

The Funk Fest is seen by the organizers, Ecstatic Sound Collective, as “more than just music—it’s a celebration of community and culture.” To that end, downtown Washington Street will be transformed into a lively street party. This 2nd annual Olympia Funk Festival is an incredible lineup of talent coming to three Capital City venues—the Olympia Ballroom, the Olympia Center, and the historic Capitol Theatre!

Critic’s Corner: Best Visual and Performing Arts of 2024

Many of the South Sound’s best theater and visual arts critics write for OLY ARTS. We asked six of them to highlight some of their favorite visual and performance art shows from 2024, and we congratulate and celebrate the Olympia and Tacoma-area artists selected. Due to the limitation we put on the critics of no more than two or three shows, we are aware of and acknowledge that many great shows and artists were not picked. We are lucky to live in such a vibrant creative community.

Preview: Sondheim’s Theatre-of-Revenge Masterpiece, Sweeney Todd: The Demon Barber of Fleet Street

Stephen Sondheim’s theatre-of-revenge “musical thriller” masterpiece, Sweeney Todd: The Demon Barber of Fleet Street is at Washington Center’s main stage. Working from Victorian popular fiction (“penny dreadfuls”) and Christopher Bond’s 1970 play, it is presented in a limited run on Oct. 11, 12, and 13 as a collaboration by Harlequin Productions, Olympia Symphony Orchestra, and Masterworks Choral Ensemble.

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