The setting of Our House, written by John Logenbaugh and co-directed by Logenbaugh and Bryan Willis, the stage, is an actual small house in which the story and the action take place. It’s located on the edge of a cemetery, in what was still country and farmland when the play begins in 1934 and Olympia had a population of just over 11,000 people. Produced in Olympia by Battleground Productions.
The Wonderful Wizard of Oz at Olympia Family Theater comprises both young and not-so-young actors, smoothly stirred into a well-tuned ensemble; part of the fun of watching it is the speed and energy with which the story is rolled out, almost like street theater, or commedia, or circus.
The South Sound Reading Foundation will host its annual benefit breakfast fundraiser, “Readers are Leaders,” at the Lacey Community Center on Thursday, April 11. Keynote speaker Stacy Chapin’s son Ethan is one of the four University of Idaho students murdered in Moscow, Idaho on the night of November 13, 2022.
Once the action begins at State Theater, you’ll find yourself in the post-and-beam framed, antique-studded, expensively repurposed barn that serves as the living room/study of playwright Sidney Bruhl. Harlequin Productions’ Deathtrap by Ira Levin is a classic thriller, with five actors, two acts, and one set. And therein hangs a gun.
“Light Up the Night—Winter Wonders,” an Art in Storefronts exhibit produced by Olympia Artspace Alliance is on view through March 31, 2024 in the windows of The Goldberg Building on Capitol Way S in Olympia. It features artwork by students from four area schools.
“Think Mamma Mia with The Three Stooges, plus audience interaction at The Rocky Horror Picture Show.” “Theatre is in its essence an exercise in imagination,” says Alastair Knowles, who plays the eccentric Jamesy. “O Christmas Tea is exactly that, an exercise in imagination, on steroids.” At SPSCC’s Minnaert Center for the Arts on November 25th.
Smartly produced and wonderfully performed, Harlequin Productions’ “Every Brilliant Thing” with Eleise Moore is the best of live theatre, up close and personal. It totally engages us in a story that begs to be told and needs to be heard.
Atop each of the 27 pilings in Toten Inlet is a Boucante figure, bodies mostly made of weathered wood, heads and faces of sculpted stone, distinctively dressed in all manner of antiquated machine and engine parts and salvaged odds and ends. The faces are wide-eyed and staring, the mouths open, the effect inscrutable or spooky, depending on the direction of the light.
by James O’Barr If you want to learn airborne arts, there are a number of skydiving venues around the state, or you can join the Army and go to the Jump School at Fort Benning, Georgia. But if it’s aerial skills and circus arts instruction you want, then you need go no further than downtown …
Olympe de Gouges announces at the opening of Harlequin’s “The Revolutionists” that she has an idea for a new play, a comedy, and much of the play follows her attempts to right/write the wrongs of the Revolution in a play “about women showing the boys how revolutions are done.”