posts by Adam McKinney
by Adam McKinney for OLY ARTS Sometimes it’s easy to hear the connection two artists share with each other, meaning they’re so on the same page that the authorial voice seems to be coming from one mind. Blaze and Kelly have been writing and performing together since 2004, and that history comes across in the …
by Adam McKinney for OLY ARTS While there are certainly plenty of talented country artists in America these days, there was a golden age for country music that ran from roughly the late ’50s through the ’70s. It was in these times that the so-called “outlaw country” of people like Johnny Cash, Waylon Jennings, Kris …
by Adam McKinney for OLY ARTS It’s easy for one’s ears to get comfortable listening to the sounds that regularly come drifting off the radio — background music, singalongs, crowd-pleasing jams that everyone with a head and heart can get on board with. This complacency can form a barrier in the head, a moat around …
by Adam McKinney for OLY ARTS Few genres inspire more passion and reverence for tradition than jazz. A quintessentially American art form, jazz and its permutations have been around in one form or another since the late 19th century, with roots in New Orleans. In the ’40s, jazz found a vibrant resurgence in the form …
by Adam McKinney for OLY ARTS The Wall, a flamboyant, nearly 90-minute concept album, is a towering monument of self-indulgence — and in this case, that’s a good thing. It’s a textbook example of a band given free rein to follow every tangential whim and conceptual side street, but the resulting record is chock-full of …
by Adam McKinney for OLY ARTS Humans, of all animals, are encoded with the unique ability to be as connected or as separated as they choose. In these days, it’s not so easy to differentiate between the two; the internet, among other modes of communication, has enabled us to be more involved with each other, …
by Adam McKinney for OLY ARTS Music history is lined with family bands, with qualities spanning the good (the Everly Brothers), the bad (the Jonas Brothers) and the indescribably weird (the Shaggs). Those examples are all sibling acts, and that avoids the potential sleaziness of parents promoting their children as music acts. It’s easier to …
by Adam McKinney for OLY ARTS It’s a sad fact that a lot of people, even those who would consider themselves passionate fans of music, still have a blind spot when it comes to classical and chamber music. Perhaps it’s possible that years of classical music concerts being big-ticket affairs have conditioned people to view …
by Adam McKinney for OLY ARTS (Featured ART: Maybelle Carter by Paula McHugh) As an art form, one of music’s most admirable traits is its ability to adapt: Trends come and go, and styles emerge in a sort of call-and-response pattern. New sounds blaze trails in response to old ones, lending us revelations like the …
by Adam McKinney for OLY ARTS For some bands, messiness can be a virtue. Not everyone thrives on the airtight compositions of Robert Fripp or other leaders of compositional tidiness. A band like The National draws its strength from disciplined arrangements and an almost drum-machine-esque rhythm section, but that focus can result in music devoid …