posts about live theater, live performances, actors, acting, shows, and other theatrical things…
By Molly Gilmore As restrictions aimed at slowing the spread of the coronavirus begin to lift, those running theaters in Olympia and around the state still have more questions than answers about when they can welcome audiences once again. What they do know is that it won’t happen anytime soon and that the plans they …
By Molly Gilmore Olympia theaters are dark these days — quite literally — yet those running them see light in the distance. Metaphorically speaking, “the show’s going to go on,” said Jill Barnes, executive director of The Washington Center for the Performing Arts. “It will.” Barnes and the leaders of other local nonprofit theaters have …
THEATER REVIEW by Alec Clayton for OLY ARTS Harlequin Productions’ performance of “The Highest Tide” is a special gift to the people of Olympia. It is based on the popular book of the same name by local author Jim Lynch, and adapted for the stage by Jane Jones for Book-It Repertory Theatre in Seattle. The …
By Molly Gilmore Since it started in 1981, Olympia’s Creative Theatre Experience (CTE) has produced 120 summer shows. It’s also built the confidence and skills of two generations of theater-loving students. “Forty years is pretty impressive,” said Elizabeth Swanson, vice president of the CTE board. “We now have children in the program whose parents were …
Theatre Review By Alec Clayton for OLY ARTS “Equivocation” at Olympia Little Theatre (OLT) is wild. It is ludicrous. It is funny and tragic and gruesome. Written by Bill Cain and directed at OLT by Pug Bujeaud, the play is a farcical tragedy, a takeoff on and about Shakespeare (Drew Doyle), who is alternately called …
THEATER REVIEW by Alec Clayton for OLY ARTS At least once in every season Olympia Family Theater presents a serious drama in lieu of their usual fare of upbeat children’s stories told with song and dance. This season’s drama is Number the Stars, based on the Newbery Award-winning book by Lois Lowry, adapted by Dr. …
By Alec Clayton “Stop Kiss,” by Diana Son, was timely and controversial when it debuted off Broadway in 1998 at The Public Theater in New York City. According to critic Becky Sarwate, writing in The Broadway Blog, it still resonates today. “Stop Kiss delivers a 90-minute emotional wringer, set to a nostalgic, late 20th-century pop music soundtrack,” Sarwate wrote. “The …
By Lucy Volker Transformation is the theme for Harlequin’s 2020 season. They begin the New Year with Noises Off and The Highest Tide. Riffing on the season’s theme, Noise’s Off is said to be “one of the funniest plays ever written, offering the community some much-needed comedic relief.” The Highest Tide is a coming of …
By MOLLY GILMORE There’s mystery and magic afoot at Harlequin Productions this season. The company’s Sherlock Holmes and the Case of the Christmas Carol, opening November 29, is a mashup that finds Arthur Conan Doyle’s beloved detective receiving a series of ghostly visitors, as Scrooge does in Charles Dickens’ Christmas classic. The combination of two …
By MOLLY WASH Out of the wings and onto center stage, Ballet Northwest will present its 35th-annual production of The Nutcracker at the Washington Center for the Performing Arts from December 13 to 22. Illustrating the time-honored holiday story will be choreography by Ballet Northwest’s co-artistic directors, Josie and Ken Johnson, who devised a show …