posts about art, art shows, galleries and other visual arts…
“The point of the studio tour is to allow people to go behind the scenes and see how the work is made.” said Susan Aurand, acting president of the South Sound Studio Tour’s board of directors. Many artists are sharing their studio space with colleagues for the tour, happening the last weekend of May in Olympia, Lacey and Tumwater, so there’ll be about 80 artists involved, showing their work and offering insights into their methods.
The 2026 Center Salon will take place Mothers Day weekend, Saturday, May 9, in the Washington Center Black Box Theater with cabaret-style seating to provide an immersive ambiance. In commemoration of Mother’s Day weekend, many pieces included in this year’s Center Salon will tie back to the themes of mothers and motherhood. This includes a slideshow that will be projected ahead of the salon, featuring family photos of performers and audience members.
On April 7th the Lacey Timberland Library will host a screening and discussion of a 2016 documentary from Exhibition on Screen, The Curious World of Hieronymus Bosch who painted nightmares and left them for us to interpret. The documentary takes a close look at who Bosch actually was a deeply religious 15th-century Dutch painter working at the edge of the medieval and Renaissance worlds.
This free event is part of The Painted Screen, a monthly series to explore the lives and legacies of visual artists through film. The future of the library’s series is now uncertain as Timberland Regional Library is in the midst of a serious financial crisis.
Each artist in Atmospheres at Childhood’s Eng Gallery offers not only a different environment, a different perspective, and a unique distance from their chosen subject matter, but also a different emotional response and interpretation. Albala’s Distance, suggesting meditation; Eshelman’s middle Distance, suggesting serenity; and Mathie’s close-up, suggesting awakened physical senses, are all encompassed in this show. Three very distinct individual viewpoints are able to live happily in the same gallery with unity in discourse – open through April 19.
There are so many pieces to get lost in at the Black Artists Exhibition, nestled, as it is in the modest space of The Gallery at Tacoma Community College. Repurposed art, sculptures, loving portraits (Charles Conner’s warm rendition of comedian and activist Dick Gregory was a pleasant surprise), clothes and quilt-making — all to be discovered at this show which is open through March 13.
South Puget Sound Community College’s Fine Art Postcard Exhibition 2026 includes 198 artworks by the local creative community of all ages, and the content of the pieces — on the theme “Out of Order” — is as diverse as the artists themselves. The annual show is the college’s best-attended exhibition and its most important in that it raises money for the college’s Leonor R. Fuller Gallery. It also provides a window into the minds of the contributors.
Light in the Dark, an exhibition of illuminated art at Olympia’s Arts & Heritage Alliance Museum, can be viewed not only from inside the museum but also from the sidewalk outside.
“We wanted to do something that would lighten our windows and celebrate the holiday season without leaning into any particular holiday,” said Ruth Kodish-Eskind, the museum’s exhibitions and programs manager. “And we wanted something that folks could engage with even when the museum is closed.” The panels describing the pieces are double-sided, so passersby can get the full experience.
The Carpenter’s House was envisaged by Justin La Gra, who wanted to manifest a warm, intimate, and inclusive community space for creativity and art made for real people with real materials. Murphy and Ruiz joined the project, with their own specialized skills, resulting in a creative venue, involving a functioning carpentry studio, an art gallery, a live music venue, a community gathering space, and a developing broadcast and media studio. They say that it began as one person’s original idea that grew stronger with a collaborative vision, which was shaped by the community around them.
Marilyn Frasca’s drawings, on view through Nov. 16 at Childhood’s End Gallery in downtown Olympia, exist at the intersection of dreams and stark reality, “I had arranged to do this one-person show years ago,” she said, “and in the process, the world fell apart. I’d look at the abstract images and I’d see horrible things because I’d been hearing about them. … I thought, ‘I’m going to have to cancel this show. I can’t work.’ ”
(And then) Frasca found her way through after she heard historian Heather Cox Richardson encouraging artists to work. “She said many artists she knew had trouble working during that time and that what the world needed was for them to work,” Frasca told Oly Arts.
Copper Wolf Studios and Gallery, nestled off 2ND Avenue in Tumwater, is in a craftsman house with much of the old-world charm of the original house made into a beautiful gallery with great lighting and welcoming communal space, alongside the tattoo artists’ personal studio spaces. Danny Gordo says, “Copper Wolf creates a space showcasing art, bringing people together to further conversations and bridge gaps.” Aimee Schreiber rightly points out, “Art needs walls and space.” Gordo and Schreiber are board members of Olympia Artspace Alliance.