Join us for the Olympia book launch of MariNaomi’s newest graphic memoir, I Thought You Loved Me, a collage-comics memoir about queer friendship and the unreliability of memory. The evening will consist of a reading (with visuals) by MariNaomi, followed by a moderated conversation with the author and Frank Hussey of Danger Room Comics, and …
March is the month of merriment and our Chickens and Special Guests want to show you why it is also a bit sexy! Come see us at A Free Range Drag (& Variety) Show!! Friday, March 10th 2023 Doors at 730 PM Show starts at 8 PM $13 at the door Cast: Vanessa The Witch …
You are about to spend an evening with Edgar Allan Poe in a play by Olympia playwright Bryan Willis, plus a reading of a new short story by Olympia’s own Jim Lynch in a one-night-only Halloween celebration at Harlequin.
Olympia begins planning of city arts space.
Art galleries, bars, restaurants, shops, performance spaces — more than 80 downtown venues will be aswarm with excitement as artists young and old, amateur and professional, bring downtown Olympia to vibrant life for two evenings in early October. It’s been happening twice a year since 1990, when the first-annual spring and fall Arts Walks kicked off. In addition to visual art, there will be street performances, a busking zone and food trucks.
by Alec Clayton The latest artexhibition at Browsers Bookshop is DIALOGIC: Works on Paper by Evan Horback and Cecily Schmidt. Accordintg to the Oxford English Dictionary, “dialogic” means “relating to or in the form of dialogue.” That discribes this show in many ways. There are dialogues between the two artists and between the elments within individual works …
The rock musical Hedwig and the Angry Inch, with text by John Cameron Mitchell and music and lyrics by Stephen Trask, started as a performance in drag clubs and became an international phenomenon. It’s now playing at the State Theater of Olympia’s Harlequin Productions, starring Adam Rennie as Hedwig and Mandy Rose Nichøls as Hedwig’s husband and assistant, Yitzhak.
Falling, now playing at Olympia Little Theatre (OLT), is 70 minutes of edge-of-your-seat intensity, a roller coaster of love, fear and laughter with no intermission. If there were an intermission, the audience’s total immersion into the Martin family would be weakened; if it were any longer than 70 minutes, the actors would be physically exhausted and the audience emotionally so. As it is, the time flies by at warp speed and the audience is left depleted, yet thoroughly satisfied.
In many ways the Martins, the quintet of characters who populate Deanna Jent’s hour-long, 2011 play Falling, resemble a typical American family. Mother Tami, in some ways a stand-in for Jent herself, is overwhelmed and fond of red wine. Teenage son Josh demands a day off from school. There’s one all-important factor missing from that synopsis, however: Josh is a person with autism, given to veering from giddy hilarity to violent frenzy with little provocation or warning.
It’s surprising and delightful when an amateur company chooses an entire slate of obscure material. Such is the case with Olympia Little Theatre (OLT), which will offer a roster of seven shows entirely new to most audience members. Feeling adventurous?